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"Dear Bummy, You take the BS out of filmmaking!"--Clint Eastwood's comment on Henry Bumstead's receiving the Lifetime Achievement Award in 1998 from the Society of Motion Picture and Television Art Directors"Making a movie with Bummy was always a pleasure because it was like going to work with a good friend who also had a fine, artistic eye, who shared your vision, and who knew infinitely more about the practical nuts-and-bolts business of putting a story on camera than you did. . . . Everything he designed served the movie. He knew how to visually bring it to life."--Robert MulliganFrom a hotel in Marrakech in The Man Who Knew Too Much, to small-town Alabama in To Kill a Mockingbird, to Mission Control in Space Cowboys, creating a fictional, yet wholly believable world in which to film a movie has been the passion and life's work of Henry Bumstead, one of Hollywood's most celebrated production designers. In a career that has spanned nearly seventy years, Bumstead has worked on more than one hundred movies and television films. His many honors include Academy Awards for Art Direction for To Kill a Mockingbird and The Sting, as well as nominations for Vertigo and The Unforgiven. This popularly written and extensively illustrated book tells the intertwining stories of Henry Bumstead's career and the evolution of Hollywood art direction. Andrew Horton combines his analysis of Bumstead's design work with wide-ranging interviews in which Bumstead talks about working with top directors, including Alfred Hitchcock, George Roy Hill, Robert Mulligan, and Clint Eastwood, as well as such stars as Paul Newman, Robert Redford, Doris Day, Jimmy Stewart, Sidney Poitier, Bill Cosby, Jerry Lewis, andJames Cagney. Numerous production drawings, storyboards, and film stills illustrate how Bumstead's designs translated to film.

Taking its cue from the fanzines of yesteryear, "Creeping Flesh is an ongoing appreciation of horror, fantasy and exploitation in movies and television, with a distinctive retro sensibility. Features overviews of Triad movies, Cheerleader films of the seventies, the Australian "Wizard of Oz, Children's TV horror, a major interview with the director of "They Call Her One Eye-cut by 22 minutes and a main inspiration for "Kill Bill-and much more. Reviews, news, interviews.

Kill Bill - Kill Bill is the fourth film written and directed by Quentin Tarantino, and stars Uma Thurman. It was written and filmed as a single movie, but was edited and released as two films, due in part to the very long running time of the original single-film version.

Kill Bill Volume 2 (soundtrack) - The Kill Bill: Volume 2 OST is the soundtrack to the second volume of the two-part Quentin Tarantino film, Kill Bill. First released on April 13, 2004, it reached #58 on the Billboard 200 and #2 on the Billboard soundtracks chart in the US.

Kill Bill Volume 1 (soundtrack) - The Kill Bill: Volume 1 OST is the soundtrack to the first volume of the two-part Quentin Tarantino film, Kill Bill. First released on September 23, 2003, it reached #45 on the Billboard 200 album chart and #1 on the soundtracks chart.

Pai Mei (Kill Bill) - Pai Mei (Chinese: 白眉; Wade-Giles: Pai Mei; pinyin: Bái Méi; literally White Eyebrow) is a character from Kill Bill: Volume 2 (2004), a film by Quentin Tarantino. The character is based on Bak Mei, a historical martial artist from China.

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